Peter Riley
  Born 1940 near Manchester, educated Cambridge, Keele and Sussex, worked at the University of Odense (Denmark) for several years and has since subsisted by casual teaching of various kinds and bookselling, first in the Peak District and then Cambridge.

www.aprileye.co.uk

Recordings

Reading of one complete unpublished work, Greek Passages, in an intimate manner with occasional interspersed comments and self-interruptions. Recorded by the author at home without audience.

Bibliography
Of some twenty books and pamphlets 1968-2006, the principal in-print items are:

  • Carcanet Press: Passing Measures [a selection]  2000.  Alstonefield [a long poem] 2003.
  • Reality Street Editions: Excavations [prose poems]  2004.
  • Parlor Press (U.S.A.): A Map of Faring 2005.
  • Shearsman Books: The Dance at Mociu [travel sketches etc.] 2003. 
  • The Llyn Writings, forthcoming 2006/7. 
  • The Day’s Final Balance, uncollected writings 1968-2006, forthcoming 2006/7.

Sample text
The opening of Greek Passages--

There was no journey. The moment we opened our eyes he was there: / the colours across the bay / the red on the blue / Trinakrian Sea, its / turning islands // Bringing trouble. That lives here like a stone. / Bringing upright posture, anxiety and longed-for repose. That live here like the flowers of the mountain.

At dawn, a white light on the top of a mountain / things start to move / an old woman side-flank on a donkey, at dawn / wobbling up the mountain, picking over the stones / a Mercedes glides past, the light there / in her eye ever shining // Slowness of the dawn beetle / western promise / worth goat-dung.

Sky falcon, dancing slowly towards us across the bay / sun sinking into meaning / Lands lightly on the seashore / gets up and walks over to the bar / and is recognised. // A jovial shout goes up / embracing all of us, our welcome. / Slim as pencils, the leaves / throw themselves at the music.

Reviews

"The conjunctions are dazzling; the motives universal; the shafts of lyrical or grey deathlike speech [...] often overwhelming." Tom Lowenstein in Excavations.

"With all its peculiarities, Alstonefield remains entertaining and frequently enlightening. It contains passages of considerable beauty and intellectual dexterity and has a sweep and ambition that justify its length."  William Wooten in TLS.

"Love is a movement beyond ourselves as we respond to a call in the world."  Tom Butler in Notre Dame Review.


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