David Kennedy
David Kennedy David Kennedy edits the magazine of innovative poetry and poetics The Paper, the small press The Cherry On The Top Press, and publishes widely on contemporary British poetry. He is currently AHRC Fellow in Creative & Performing Arts 2004-2007 at Trinity & All Saints (Leeds) where he writes and researches contemporary elegy.

Recordings
The poems in The Archive of the Now are the products of an AHRC Creative & Performing Arts Fellowship entitled 'Reviving Elegy - towards a distinct contemporary poetry of private and public mourning'. The Fellowship explores whether it is possible to write a contemporary poetry of mourning that is distinct from both the tendency to present anecdotal remembrance as elegy and the generally elegiac tone of much contemporary poetry.

Bibliography - Poetry

  • The Elephant's Typewriter (Scratch, 1996)
  • Men's Talk (Tom Roder Prize, 1998)
  • Cities (The Cherry On The Top Press, 1999)
  • Four True Prophecies of the New State (The Cherry On The Top Press, 1999)
  • Cornell: A Circuition Around His Circumambulation (West House Books, 2001)
  • The President of Earth: New and Selected Poems (Salt, 2002)
  • Eight Excursions [with Rupert Loydell] (The Cherry On The Top Press, 2003)
  • The Roads (Salt, 2004)

Cornell  Fiery Chariot  President of Earth  The Roads

Bibliography - Criticism, Translations, etc

  • Max Jacob: The Dice Cup Part 1 [translation with Christopher Pilling] (Atlas, 2000)
  • Additional Apparitions: Poetry, Performance & Site Specificity [co-edited with Keith Tuma] (The Cherry On The Top Press, 2002)
  • Douglas Dunn (Northcote House, 2006)
  • Necessary Steps: Essays on Poetry, Elegy, Walking, Spirit (Stride 2006) [As editor]
  • Elegy (Routledge New Critical Idiom, 2008)

Bibliography - Online Works

Web Works

Extract from 'Postcards of Penthesilea' - i.m. Nicholas Zurbrugg 1947-2001

Published in The Roads (Salt 2004)

*

categories leak
disco-dada
it's how they do what they are
videopoesia sonora
spill possibility
writers as impatient readers
spill complexity
philosophers as failed artists
and the inverse is obvious
cut down cut in cut up

your sixteen letters
leak so many things
we saw you were
leak 'gush' spill 'grin'
as in fan as critic as fan
spill 'linch' as in pin
as in hyphen visions
future in a prefix
inter poly multi extra
cut in cut up cut down

*
your names leak 'grains'
as in becoming forms
your sense of limit risked
that swing between then out
where art dreams after
us beyond us
where most reward's in movement
take a car ride
down an unfinished road
cut in cut up cut down

now you are thought
in the heads of everyone
you met now you are code
on the net your thoughts
html'd and uploaded
into that perpetual present
we print you off and the date's
always the day before tomorrow
yearning for the future
cut down cut in cut up

Review quotes

"Kennedy's poetry is full of quirky argumentation and aleatory charm: 'A Walking Lunch', 'What Pefkos Said' and 'Horse Chestnut' are all fine and more than fine poems." Metre

"Kennedy offers an unblinking poetics free of specious closure ...The journey, as in Cavafy's 'Ithika', is all. One arrives at the end of his poems entranced." Poetry Review

"He has an obvious lyric talent and the poems are often artfully under-written; they have an oddly shifted sense of perspective, perhaps with just a dash of that New York hot sauce ...Kennedy's I's are exteriorised, ironised, not the never-ending celebrations of self that one sees so often." Shearsman

"This is a truly fascinating and inventive book, not least for its style and variety, but also for its accomplished poetic, its mature sensibility and its great humour." Stride on The Roads.

"Kennedy lucidly explores networks of interconnected ideas: memory/past/childhood, walking/journey/place, display/possibility/projection... [The book] can stand apart from the art which inspires it." New Hope International On-Line on Cornell

"[The poems] have something of the magic of Ron Padgett's exquisite corpse-styled enjambments--or collaging--of disparate moments. But Kennedy's are more naturalised, more seamless. They have something of Tate's and Russell Edson's virtuosity--but seem less to court our applause, less tricksy in fact and far more interesting and memorable." Jacket on The Roads

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