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Emily Critchley

Biography
Emily Critchley read a PhD at the University of Cambridge in contemporary, American women's experimental writing and philosophy, where she was the recipient of the John Kinsella & Tracy Ryan Poetry Prize in 2004. She now teaches English & Creative Writing at the University of Greenwich. Her published poetry includes: Hopeful for Love are th' Impoverish'd of Faith (Torque Press, 2010), When I Say I Believe Women (Bad Press, 2006) & Love / All That / & OK: Selected Writing (Penned in the Margins, 2011).
Recordings
- Dear Luke
- For Josh
- For Seaton
- Honeymoon after Tikrit
- I have been thinking
- In Greenwich not in Rome
Use the player to listen to In Greenwich not in Rome
Player will appear here - In Summer
- Luke Sits Lonely
- Prologue
- Supper is done
- The experiment was me trying
- You jerk
Bibliography
Books and Pamphlets
- The Dirt Glitch Land Alter Affair (Cambridge: Arehouse Press, 2004)
- How to make Millions (Cambridge: Arehouse press, 2005)
- I just want you to know that we can still be friends (intercapillaryspace, 2005)
- When I say I believe women (London: badpress 2006)
- Of all the Surpises (Switzerland: Dusie, 2007)
- Who handles one over the backlash (Norfolk: Oystercatcher Press, 2008)
- Hopeful for Love Are Th'Impoverish'd of Faith (Torque Press, March 2010)
- Love / All That / & OK (Penned in the Margins Press, 2011)
Magazines, Journals and Anthologies
Emily's work appears in: Eighteens (The Knives Forks & Spoons Press,
2011), Infinite Difference: Other Poetries by UK Women Poets (Shearsman
Press, March 2010), Cambridge Literary Review 1 & 3, Damn the Caesars
(July 2010), Black Box Manifold 1:5, e (July 2010), argotistonline,
onedit #13 & #16, Openned Journal, Delirious Hem (Dec, 2009), Default 5
(2008), Pilot series, 2 (2007), The Paper 9 (September 2007), How2Journal
3.3 & 2.4, dusie 3, Skald 23 (2006), in blossoms atop reeds it flares, Plantarachy #2, & Quid 15.
Sample Text
Sample text
from When I say I believe women...
Reviews
"I'm amazed by When I say I believe women.... It feels so new and necessary." (Lisa Robertson)
"There is an urgency in Emily ../../files/critchley's poetry that puts me in way of Rich and Grahn among many other poetic foremothers' which is unique and unafraid, with a serious cutting edge, in a time of great ineptitude, which challenges to be tempered." (Susana Gardner)
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